Bibliography
Poetry Maps | “Shore Song” | Artist’s book by Matthew Schembri, as part of “Two Moons and Two Suns,” a visual art exhibition by Fictive Archive Investigations, 2025
The Quarry | "Cedar Waxwings, Pyracantha II" | Split This Rock, 2025
We The Gathered Heat | “Calls to Demand the Return (for a Fair Price, in Good Faith) or, With Typhoon Wind: We, Prisoners of Conscience, Protest Bars and Bullets, Swallowed Fledglings, the Gone Hurricane of Pelicans (from alcatraces), and Further Desecrations", 2025
Academy of American Poets Poem-a-Day | "When The World Falls in Around You or, Vows to My Palestinian Wife on Our Wedding Day" 2024
On the National Language: The Poetry of America’s Endangered Tongues by B.A. Van Sise| “When the Blood Rises” | Schiffer Publishing, 2024
Consequence Journal | “Maigo’ Lålo’, (Sleepy Grass),” “Phylostegia glabra (Lana’i Mint)” | Vol. 16.2, 2024
Care Package: Poems, meditations, films, and other cultural nutrients for times like this | “Current, I” | Smithsonian Asian Pacific American Center, 2023
Poetry Magazine | "Sige, Sige, Sige Said the Utak" | The Poetry Foundation, 2022
Academy of American Poets Poem-a-Day | “Imaginary Photo Album or, When We Die, Our Polaroids Speak to Our Living Descendants” with Lisa Jarret and Jocelyn Kapumealani Ng (Art 25), 2022
Indigenous Pacific Islander Eco-Literatures | "Shore Song" | Edited by Kathy Jetñil-Kijiner, Leora Kava, and Craig Santos Perez | University of Hawai’i Press | 2022
Arts Research Center at UC Berkeley Flash Reading Series #35 | Future Nostalgia, a poetry short film in collaboration with Oliver Mok, with Lisa Jarrett and Jocelyn Kapumealani Ng (Art 25), 2022
Green Linden Press | "Heart, as Black Phoebe" | Issue 14, 2022
Snaring New Suns | “A Thermospangled Declaration or, How to Unfuck the Land” | Edited by Tom Gammarino, Bryan Kamaoli Kuwada, D. Keali’i MacKenzie, and Lyz Soto | Bamboo Ridge Press, 2022
They Rise Like a Wave | “Cedar Waxwings, Pyracantha,” “Islanders Waiting for Snow” | Edited by Christine Kitano and Alycia Pirmohamed | Blue Oak Press, 2022
Massachusetts Review | “The Language of Recognition: One Indigenous Approach to Pedagogy,” 2021
Living Nations, Living Worlds: A Map of First Peoples Poetry | “Current, I” | Library of Congress Story Map, Curated by U.S. Poet Laureate Joy Harjo, 2020
When the Light of the World Was Subdued, Our Songs Came Through | “Letters from an Island” | A Norton Anthology of Natve Nations Poetry, Edited by Joy Harjo, 2020
Foglifter | “That Mockspangled Banner or, An Unincorporated Amendment" | Vol. 5, Issue 2, 2020
Pulan Collective: 13 moons 13 meals | “Lumuhu” | A multimedia cookbook and cultural memory project of CHamoru women living in the San Francisco Bay Area | San Francisco Arts Commission, 2020
Indigenous Literatures From Micronesia | “Guåhan” | Edited by Evelyn Flores and Emelihter Kihleng | University of Hawai’i Press | 2019
The Learned Pig | “Mochong Sees Her Reflection in the Sea,” “Song to Curse the Industrial Revolution” | 2019
Red Ink International Journal | “Preparing the Body” | Issue 19.3, Spring 2019
World Literature Today | “Calls to Demand the Return (for a Fair Price, in Good Faith) or, With Typhoon Wind: We, Prisoners of Conscience, Protest Bars and Bullets, Swallowed Fledglings, the Gone Hurricane of Pelicans (from alcatraces), and Further Desecrations" 2019
Stillpoint Magazine | “Good Eye to the Boughs” | Issue 009: Tender, 2019
Kritiker, a Nordic Literary Journal | Selected work from Inside Me an Island translated into Swedish by Helena Fagertun, 2019
Academy of American Poets Poem-a-Day | “Calls to Indicate Safety in Numbers,” 2019
The Anthology of Indigenous Writers of Micronesia | “Guåhan” | The New Oceania Literary Series | Eds. Evelyn Flores, Emelihter Kihleng | UH Manoa Press, 2019
Lit Hub |“New Poetry by Queer Indigenous Women” | “Low Mountain Lake Song,” “Come Sit Around This Stone” | Edited by Natalie Diaz, 2019
Arc Poetry Magazine | “Current, I” | Issue 87, 2018
Sonoma | Chapbook | Dropleaf Press, 2018
Fence | “Spectator,” “A Curse Dismantled Via a Facile Understanding of Photonics” | Vol. 19, 2018
Inside Me an Island | Full length collection, 35 poems | Word Tech Communications, 2018
Capacity | Chapbook | Hawai’i Review, 2018
A Transpacific Poetics | “a sampling from the guam visitor’s bureau,” “my nanan biha, before dying,” “below,” “national archives and records administration,” “un-inc.” | Eds. Sawako Nakayasu, Lisa Samuels | Litmus Press, 2017
Waterways | “Capacity” | Hawai’i Review, 2017
Kinalamten Gi Pasifiku: Insights from Oceania | “A Love Letter to the CHamoru People in the Twenty-First Century” | Ta Tuge’ Mona, 2017
Culture Lab Manifesto Playbook | “The Unburden Project” Education Materials with Lisa Jarrett (Art 25) | Smithsonian Asian Pacific American Center, 2017
Red Ink International Journal | “One Way to Predict the Future,” “Enchanted Rock, TX,” “A Walnut Tree,” “A Night Crowded With Night” | Issue 19.2, 2017
Nevertheless, #SHEPERSISTED | “hyphenation,” “Kituwah” | Edited by Barbara Jane Reyes, 2017
Poetry Magazine | "One Kind of Hunger" | The Poetry Foundation, 2016
Oxalis Magazine | “An Oiled Groove” | Vol. 1, 2015
A Bell Made of Stones | Full length collection, 44 poems | TinFish Press, 2013
Yellow Medicine Review | “Better Than No Mother” | Fall 2013
Storyboard: A Journal of Pacific Imagery | “Kituwah” | Vol. 12, 2012
Witness | “Create a Sibling, a Counterpart to Your Shale-flaked Centerself…,” “Bare Your Back to Outside Air, To Sun if It’s a Sunday…” | Vol. XXV No. I, Spring 2012
NANO Fiction | “Just Because I Was Sleeping Doesn’t Mean I Dreamed It” | Vol 4.2, Spring 2011
dislocate | “Reticulation,” | The Contaminated Essay Contest (Winner) | Vol. 6, 2010
TinFish | “i knew a boy once who was missing an eye,” “national archives and records administration,” “un-inc,” “a sampling from the guam visitor’s bureau,” “below,” “my nanan biha, before death” | Vol. 20, 2010
The Fiction at Work Biannual Report | “Goliath” | Green Lantern Press, 2010
Versal | “Suit” | Vol. 7, 2006